WHY KESHA’S BATTLE ISN’T JUST ABOUT HER

Social media was dominated by the #freekesha movement last weekend and all through the following week. This sparked after Kesha was denied an injunction that would have allowed her to work on music without Sony or Dr. Luke. The battle for freedom began in 2014, after Kesha checked herself into rehab for an eating disorder. Instantly speculation began, leading many to believe that Luke was responsible for her bulimia. One account claims that while on the set of her music video, Luke compared her body to a “f*cking refrigerator” and in turn put her on a 2-week juice cleanse. After Kesha completed treatment, she swiftly sued Dr. Luke claiming rape and abuse. Luke then counter-sued saying Kesha was only doing this in an attempt to get out of her contract with him. After that, the issue stayed dormant. No one spoke up for Kesha, no one even really talked about it. Kesha screamed “RAPE” and no one cared. But following Friday, after a judge denied her injunction, stating she had to “do the commercially right thing”, a social media frenzy sparked. Support for Kesha began pouring out like never before. Top artists like Lady Gaga, Ariana Grande, Lorde and Iggy Azalea all took to social media to show their support for Kesha (just a few artists of the many). Later artists like Demi Lovato and Adele voiced their own support. In a generous effort, Taylor Swift donated $250,000 to Kesha to help her “in this trying time”. While the support is undeniably great, the problem still remains – a 28 year old woman is forced to work with her alleged abuser in an effort to do the commercially right thing. A woman claims she was raped, and a judge basically says that money is more important than her own safety. This case is a horrific one. Whether or not Kesha’s claims are valid (I am prone to think they are), what this says about rape in our culture is disgusting. People are all too quick to doubt that the rape happened, blame the woman for what she was wearing or what she was drinking, or even worse, they just don’t care. That seems to be the case here. Kesha says she was raped and the judge just doesn’t care. They will not let her get away from her abuser, or her contract, simply for the reason of profit. People are angry about this, and rightfully so. Kesha should not be forced to work with her abuser, or anyone who did nothing to stop it (Ahem – Sony Records). But while Kesha is the individual victim in this battle, her battle is bigger than she is. Her battle is one for all people who have been raped or abused, her battle is for those who weren’t believed, who were branded liars and those who were made slaves to their abusers so that the money could still be made. Kesha herself even stated this in a personal message she posted to her Facebook. If you haven’t heard about Kesha’s battle, look it up, be informed. And most of all, realize that we still live in a culture where money is more important than a person’s basic human rights. Money is more important than Kesha. Money is more important than rape.

ALBUM REVIEW – SIA, THIS IS ACTING

Every since Christmas, I have been listening to Fleetwood Mac and only Fleetwood Mac. So when Sia’s new album came out and I took a listen, it was almost shocking to start hearing pop music sounds again. I never really followed Sia’s career, and really only knew of her when “Chandelier” came out, followed by “Elastic Heart”. I liked some of the songs off of her 1000 Forms of Fear album (like “Fire Meet Gasoline, Big Girls Cry, Cellophane and Elastic Heart) but not enough for me to buy the album or really consider myself a fan. That all changed, however, when she released This Is Acting, a montage of rejects from Adele to Beyonce and everyone in between. The really cool thing about this album is that all the rejects were songs that Sia wrote and pitched to all of these artists. And they all rejected them! However, this crafty and interesting tracks find their home within Sia and her very distinctive voice and sound. She creates a wonderful pop album. The only track she wrote specifically for herself was “One Million Bullets”. Songs like “Alive” were co-written by Adele and were intended to be included on her album, 25, though I must say I prefer Sia singing this heart-wrencher than Adele. When I first heard the dance song “Move Your Body”, I instantly though it sounded like Shakira. Low and behold the song was actually intended for her. Songs like “Reaper”, a Kanye West production, and “Sweet Design” were meant for Rihanna. Other tracks, like “Unstoppable”, were meant for Poot, I mean Demi Lovato. Upon first glance at the tracks and their intended artists, one may be quick to note that these songs don’t sound like they would blend well on an album. Demi is a far cry from Rihanna and Rihanna from Adele. However, Sia allows herself to incorporated her very raspy, very unique vocals belted out over very equally unique sounds. While This Is Acting may not seem like the music Sia typically sings herself, she allows these songs to find a home on an album that is both creative and all around wonderful. A must-listen for anyone interested in pop music.

TOP SONGS- Bird Set Free, Move Your Body, One Million Bullets, Cheap Thrills, House on Fire, Summer Rain (a Target exclusive bonus track)

TOP 7 ALBUMS OF 2015

This is a list of what I believe to be the best albums that have been released this year. Many come from my personal favorite artists while others come from artists I was surprised by. Take a look.

 

7) DEMI LOVATO, CONFIDENT

This album was one of those that surprised me. I have never been a huge fan of pop music and so I never really listened to Demi Lovato. I had enjoyed some of the tracks off her 2013 album but never really was a devoted fan. When she released the lead single “Cool For The Summer”, I initially didn’t like it. However as I heard it more it grew on me and began one of my favorite summer songs. Once the second single “Confident” was released, I knew this album was going to be good. However. Confident was not the album I was expecting. With the two singles being upbeat and sexy, I figured the rest of the album would be too. However, the album was filled with ballads and showed just how much of a vocal powerhouse Demi Lovato is. Confident is a really enjoyable album and a pleasant surprise from a pop artist.

TOP SONGS- Cool For The Summer, Wildfire, Yes, Kingdom Come (minus Iggy Azalea)

6) X AMBASSADORS, VHS

In my opinion, this album does not flow very nicely. It is not a cohesive album that has the songs all relating from start to end.Another thing I had difficulty with regarding the album was all of the interludes. However once you get the passed the interludes, the actual songs are pretty good. A lot of the tracks are, to me, very experimental and very alternative. and while the album lacks in a nice flow, the individual tracks are pretty amazing. The only song I really didn’t like was “Fear”. However this album offers really great tracks with really unique sounds, vocals and content. X Ambassadors have crafted some pretty great stuff with VHS, and while the album may not flow very nicely, it is still a great listen and a really enjoyable album.

TOP SONGS- Renegades, Jungle, Gorgeous, Loveless, B.I.G.

5) WALK THE MOON, TALKING IS HARD 

This album is a nostalgic look back on music from the 80’s. WALK THE MOON matured their sound for their second major-label feat, while still sticking to the funkiness of their first album. This album brought them some pretty mainstream success with “Shut Up And Dance” being constantly overplayed. But with that aside, this album is a very enjoyable one with a nice flow from track to track. This is alternative music done right. Talking Is Hard showcases a growth in WALK THE MOON, while still being a really fun album. They use beats that sound like they come from the 80’s and use their unique lyrical skills to present a well-prepared album. “Different Colors” is a great anthem for those in the LGBT community, up there with P!nk’s “Raise Your Glass” and Kesha’s “We R Are Who We R”. All in all, Talking is Hard, is WALK THE MOONS normal craft only very heavily perfected.

TOP SONGS- Up 2 U, Spend Your $$$, Different Colors, Down In The Dumps, Avalanche, Portugal

4) ZELLA DAY, KICKER 

This was the first album I ever critiqued on this blog. And it is still one of my favorites. Zella Day crafts a psychedelic world for her listeners with her very crafty lyrics and beats. She reminds me a lot of Lana Del Rey, except with more talent and a better sense of the music she’s trying to deliver. Kicker packs a punch (or a kick rather…) that leaves listeners entranced and wanting more. The album will leave you feeling like you’ve been transformed. Each song deliver quality beats and lyrics and offers a wonderfully crafted alternative/psychedelic sound. Zella Day’s debut is a very strong one and I cannot wait to see what she has to offer her listeners in the future.

TOP SONGS- Jerome, Ace of Hearts, Mustang Kids, High, Hypnotic, Shadow Preachers

3) MELANIE MARTINEZ, CRY BABY 

I’ve said it before, and I will say it again, this album is pure perfection. A totally surprising album, Martinez takes extremely child-like themes and transforms them into very mature, dark tales. The whole album is the story of a girl named Cry Baby, and her various forms of bad luck. Whether it be no one coming to her birthday party or being kidnapped, Cry Baby can’t seem to get away from hard times. This albums content dives into abuse, kidnapping, rape, alcoholism, love and broken hearts. Cry Baby is one of the most beautifully crafted albums I think I have ever heard. Martinez’s niche is not only her unique voice but rather her unique approach to pop music and her lyrical content. This album is extremely dark, but so beautifully crafted, you can’t help but fall in love. Well done, Miss Martinez.

TOP SONGS- Mad Hatter, Soap, Mrs. Potato Head, Tag You’re It, Alphabet Boy

2) THE NEIGHBOURHOOD, WIPED OUT!

When I reviewed “R.I.P. 2 My Youth”, I said that I thought THE NBHD’s new album was going to be a lot more mature than their last album, and boy was I right. Wiped Out! appears to really be an album dealing with the lose of a father and going through break-ups. A lot of the lyrics are brutally honest and somewhat heartbreaking as the listener really gets to feel the pain being conveyed in the songs. With this album, THE NBHD matures their sound while sticking to the alternative sound they’re known for. But unlike their first effort, Wiped Out! is not repetitive, and shows a whole new side to the band. I was pleasantly surprised with this album and the direction the band decided to go when crafted their second album. Wiped Out! is a great album that doesn’t disappoint. A must-listen for sure.

TOP SONGS- Cry Baby, Greetings From Califournia, Ferrari, Daddy Issues, R.I.P. 2 My Youth

1) MARINA & THE DIAMONDS, FROOT 

We’re here! The cream of the crop, the BEST album of 2015, the amazing Froot! Let me start off by saying that choosing the best album out of my top 3 was extremely hard, but the more I listened to each album, I found myself liking Froot more than the other 2 previously mentioned. Marina really comes into her own on this album, utilizing the tones and messages from her previous albums. Froot is an extremely honest album, with Marina writing all the lyrics and music to the tracks by herself. Songs like “Happy” and “Solitaire” show a side of deep sadness while songs like “Froot” and “Forget” show a more positive attitude regarding situations in life. Marina keeps consistent with her sarcastic nature of her first two albums with “Can’t Pin Me Down” and “Better Than That”, while discussing the turmoil society is currently in on her song “Savages”. The final song “Immortal” is such a beautifully sad song. There is no song on this album that I do not like. It has a great flow to it and is very cohesive with all of its parts. Marina capitalizes on her sarcasm and sadness to bring the best album of 2015. Froot delivers strong vocals and messages and proves that Marina and her fans are living la dolce vita.

TOP SONGS- Froot, Can’t Pin Me Down, Better Than That, Solitaire, Immortal

So there you have it, my top 7 albums of 2015. Hope you enjoyed each album as much as I did!

ALBUM REVIEW- ADELE, 25

  
Adele is a vocal powerhouse. After waiting for a few years for her to release new material, the star is back at it. Her new album 25 was much anticipated by me and basically everyone in the world. I mean is there anyone who’s not a fan of Adele? When the album started off with “Hello” I was excited, as I don’t live under a rock I had already heard the song but was anticipating what was next to come. The next track was surprisingly poppy, to me so much different from her normal sound. But it was also surprisingly good. Adele tackles a new realm with 25 while still relying heavily on her tried and true ballads, though the ones that are on this album are pretty good. I was pleasantly surprised that Adele went into a newer realm of music for herself, working with pop music people like Max Martin and Shellback. In essence, 25 is a continuation of 21, and while a good continuation, nothing new to the table. She may experiment a little on some tracks with sound but Adele’s lyrical content is much the same, and all of the songs have no lack of her belting out lyrics. And that’s great, don’t get me wrong, but I think I would have liked to see this album evolve a little more, see Adele evolve a little more. Instead it’s basically 21 2.0, with the same sad break-up songs, the same vocal abilities, and the same great pop album. 25 is tried and true for Adele, but that’s what makes her Adele. She is redefining pop music and giving it a much needed change. All in all, Adele’s 25 may not bring anything new to the table but it’s still a great listen and perhaps one of the best albums of 2015. 

TOP SONGS- Hello, Water Under The Bridge, Send My Love, I Miss You, Love In The Dark

THIN IS IN

I know this doesn’t relate to music critiquing but this is the research paper I wrote for English 101, I am really proud of it and think this topic is really important so I decided to upload it. I have included my works cited page so that authors have their credits, all other words are my own thoughts.

Zach Runge

 

Thin Is In: Media and Its Correlation to Body Image

What makes a woman? Is her outer image the defining characteristic of who she is? Does she have to be thin to be loved? The media has long promoted and shown an idea that women should be thin. The concepts conveyed in the media are hard to ignore; basically everyone within the western culture has a tie to the media. It is a multi-faceted medium. And with the ways in which media reaches people is increasing, one must ask, how does this impact us as a culture? In correlation to women within the media, there is an underlying message throughout. Women are to be thin. So heavily is this promoted that it begins to affect viewers. Constantly being shown images of beautiful, thin, tall women, creates a self-conscious attitude towards their own bodies. But viewers are not the only ones affected. Female celebrities, who define the very concepts promoted, are also affected by the messages presented. They begin to view themselves in a way that can only prompt insecurities about their exterior selves. American media is very dangerous because it supports an idea that women should fit an unrealistic type of body. They have predetermined what normal is and showcase only those that fall under the category. And these images create problems for media’s viewers and its own celebrities. Those within the United States are not the only ones affected by the images promoted within the country. Women from around the world are tapped into western culture, causing them to be subject to the thin ideal.  In essence, America’s portrayal of women in the media causes negative effects for both viewers and female celebrities around the world.

The promotion of a thin ideal for women is not a new concept. In fact, it may very well have been around since the 1950’s, when television and movies were quickly rising. An article published in 1978 by Susie Orbach, a well-known social critic and feminist, shows the media’s portrayal of women back then was as much an issue as it is now. “…[W]omen are caught in an attempt to conform to a standard that is externally defined and constantly changing…these models of femininity are experienced by women as unreal, frightening and unattainable…the one constant in these images is that woman must be thin” (“Fat is a Feminist Issue” 452). This shows that even in the 1970’s, women were being taught by the media to fit the idea of being thin, as if their external image defines who they are. Orbach looks more in-depth at the issue stating the major problem this causes: “[t]his emphasis on presentation as the central aspect of a woman’s existence makes her extremely self-conscious. It demands that she occupy herself with a self-image that others will find pleasing and attractive…she attempts to make herself in the image of womanhood presented by [media]” (“Fat is a Feminist Issue 450). The media’s presentation of a woman’s body is so unrealistic and unattainable, yet females who view it begin to become self-conscious. They begin to conform to the idea that they must be thin, or at least attempt to be like the women shown to them every day. “Women are continually manipulated by images of proper womanhood, which are extremely powerful because they are presented as the only reality” (Orbach, “Fat is a Feminist Issue” 451). Women back in the 70’s dealt with the same exact unrealistic and one-sided imagery of a woman that many deal with today. However, with the progression of media and the shift towards the Internet, the ideas conveyed can only reach more people and be more harmful. The type of women the media affects is not one specific group either. It covers a wide array of age groups. From young girls to middle-aged women, they are being taught that they should be thin.

One may initially think that younger girls, such as those in their teens and early 20’s are the targets of this message from the media. And while they are a major category, they are not the only ones. A study conducted by a university in Australia surveyed girls and boys aged 9-13 asking them whether the media was suggesting they be slimmer, more muscular or to gain weight. Almost all of the girls agreed the media was suggesting a thin ideal; the boys, on the other hand, stated they were not quite sure what media was suggesting to them (Lawrie et al. 360). The researchers themselves explain this by stating, “[A]cross all forms of the media there appears to be a greater variety of male body sizes and shapes portrayed, as well as less promotion of messages about weight and shape directed at boys…” (Lawrie et al. 360). However media heavily promotes the idea for girls to be thin. Lawrie et al. further explain, “[t]hinness is promoted as a standard for female beauty and the images presented by the media of the so-called ideal shape have become progressively thinner…Children are particularly vulnerable to the messages the media portray and during youth become accustomed to images conveyed” (356). This is a dangerous idea to consider. The media has such a heavy influence on young minds, and the younger generation, particularly girls, are being taught by the media that they should be thin. In her work, “Losing Bodies”, Susie Orbach also states this dangerous concept for the younger generation: “[it is] more accurate to say that what is at stake today, especially for the young- young women and young men- is the acquisition of a body ‘normalized’ by visual dictate” (390). The media is dictating to young girls that they should be thin, and they are setting up an idea of a normal body. They leave out the concepts of different shapes and sizes, and solely present thin girls, which in turn convinces young women that they are to fit this criteria to be accepted. While perhaps the most targeted group, the younger generation of girls are not the only group being influenced.

When it comes to older women, the lines become more blurred for body shape, because as people get older their bodies change. However, this does not stop the media from presenting older women in a certain way. Every girl to every woman is being presented and targeted in a manner of thinness. A study and article published in Psychology of Women Quarterly examined the growing popularity of cosmetic surgery among women. They stated that “[a]ging female celebrities have established new and unrealistic age-related norms of appearance which are likely to reap negative psychological consequences for the average middle-aged woman” (Slevec and Tiggerman 66). In a desperate attempt to look like the aging celebrities, older women turn to cosmetic surgeries to fit the normal that is presented by media. Surveying 108 middle-aged women, the study found that the majority would undergo various cosmetic surgeries if presented with the choice. Seven of the women surveyed had already undergone some type of surgery (Slevec and Tiggerman 68). The effects of the media were heavily stated as a reason for the women to opt for cosmetic surgery. The researchers offer an explanation for this by stating “according to cultivation theory, heavy media exposure to certain…values and people gradually shapes the individual’s perception of social reality… Hence, continued exposure to cosmetic surgery in the media…may modify attitudes, such that it becomes viewed as acceptable…” (Slevec and Tiggerman 71). While young girls are being influenced by the media to look a certain way, so are older women. An easy method for the older women to turn to is cosmetic surgery and as it rises it will most likely become even more accepted. However, while every day women are being affected, those within the media themselves are also having their bodies be molded by media, causing negative effects.

Perhaps the most surprising group targeted by the American media are the female celebrities themselves. Many have opened up about eating disorders or plastic surgeries they underwent to stay looking the way the media wanted them to. One such account of this is pop music singer Kesha, who after dealing with an intense eating disorder, checked herself into rehab to deal with the issue. In an article, she opened up about what pushed her to the brink of her disease. She went as far as to openly blame the media and point out their flawed system. “’The music industry has set unrealistic expectations for what a body is supposed to look like, and I started becoming overly critical of my own body because of that…’” (qtd in Grow 3). She goes on to state that she began to convince herself that being thin was a major part of her job, and as such abused her body to fit the criteria the media was saying she should abide by (Grow 2). Kesha’s story is one of great importance because it shows just how much pressure these famous women have on themselves to present a thin ideal to the public. Kesha went as far as starving herself to fit that mold. Dealing with a disorder brought on by the media, she was able to point out the problem many stars face today. Over all types of media, whether it be music, television, movies or modeling, these women are broadcast for the world to see. The media then tries to present each of them in a way to promote an image of thinness to their viewers. Kesha’s personal account may hopefully promote other celebrities to band together and stop this ludicrous and one-sided body image. The influence the media has on its viewers is huge, so they need to be presenting positive messages. However, they are presenting messages that push even the celebrities to disorders or self-conscious thinking about their bodies. American celebrities and viewers alike are being manipulated by the media regarding thinness; however, they are not the only ones suffering from body dissatisfaction.

In the late 90’s, when the show Friends and those like it were broadcast in countries like Fiji, the percentage of young girls with eating disorders increased. In other countries, women are trying to look more like the images presented by western media. American media presents women as tall, thin and beautiful. When these images are broadcast into other countries, those women begin to question their own body image. They partake in plastic surgery, eating disorders and other means to be like the American woman (Orbach, “Losing Bodies” 388-89). The western culture is having an immense impact on other countries, but the impact is one of negativity. American media shows women as thin, and when those women in other countries see that, they begin to become self-conscious about themselves. “Indeed, one of the West’s hidden exports to the developing world is body reshaping and its concomitant rejection of the local body” (Orbach, “Losing Bodies” 393). America’s major impact on other countries is perhaps suggesting a universal body of thinness for women. As American culture reaches more countries, it will be interesting to see the impact it has on body image. So far the impact has been negative on those female viewers already exposed to it.

While the media’s portrayal of women is a major issue, it does have solutions. Indeed, the most useful tool in stopping body dissatisfaction in ties to the media, is for people to be informed of the unrealistic bodies showcased. A study conducted at a university’s School of Nursing suggests that media literacy programs are best at stopping media’s influence.

The aim of such media literacy programs is to decrease media internalization and build skills and confidence for adolescents to resist social pressures…Specifically, media literacy programs use an approach designed to empower adolescents to adopt a critical evaluation of media content so that adolescents can analyze, challenge, and propose alternatives to the artificial images presented in the media… (Spurr, Berry and Walker 20).

The information stated in the article suggests media literacy has direct correlation to both nurses and schools. The two areas can use the programs to ensure that adolescents are able to discount the images within the media. And as these students grow, they will be less likely to be influenced (Spurr, Berry and Walker 33). With people being more informed about the media and its negative approach towards body image, there is a major possibility that the media’s influence can start to be ignored. The idea of media literacy programs incorporated into the medical and school fields presents a solution to the major problem of media’s heavy promotion of a thin ideal.

Though never stated, the media within America blatantly promotes an idea for women around the world that they should be thin. The idea has immense amounts of negative effects for viewers, as they begin to become self-conscious and may even resort to eating disorders and plastic surgery to look like the women presented in the media. However, the women presented are also affected. Female celebrities put a lot of pressure on themselves to stay looking thin and beautiful. American media has also shown a negative impact on countries around the world, as those women try more and more to look like the women in western culture. However, the more people begin to realize the way media presents women, the more change may happen. While thin is in for the media, as people become more informed about its unrealistic presentation, it may begin to be phased out. As society continues to grow in a century where every day people are having an impact on media, it may be able to shy away from the one-sided way that women are presented. Instead, perhaps, media can showcase all sizes of women and learn to embrace bodies the way they are.

 

 

 

Works Cited

Grow, Kory. “Kesha Opens Up About Her Eating Disorder and Experience in Rehab.”  Rolling Stone. Rolling Stone, 11 July 2014. Web. 28 Oct. 2015.

Lawrie, Z., et al. “Media Influence on the Body Image of Children and Adolescents.” Eating Disorders 14.5 (2006): 355-64. Academic Search Premier. Web. 2 Nov. 2015.

Orbach, Susie. “Fat is a Feminist Issue.” They say/I say: With Readings. Gerald Graff, Cathy Birkenstein, Russel Durst. New York: W.W. Norton & Co., 2012. 448-452. Print.

Orbach, Susie. “Losing Bodies.” Social Research 78.2 (2011): 387-94. Academic Search Premier. Web. 28 Oct. 2015.

Slevec, Julie, and Marika Tiggerman. “Attitudes Towards Cosmetic Surgery in Middle Aged Women: Body Image, Aging, Anxiety and the Media.” Psychology of Women Quarterly 34.1 (2010): 65-74. Academic Search Premier. Web. 9 Nov. 2015.

Spurr, Shelley, Lois Berry, and Keith Walker. “Exploring Adolescent Views Of Body Image: The Influence Of Media.” Issues In Comprehensive Pediatric Nursing 36.1/2 (2013): 17-36. Academic Search Premier. Web. 15 Nov. 2015.

SONG OF THE WEEK- ROYAL BLOOD, TEN TONNE SKELETON

  
This song is a bit of a throwback but still a great one. For those of you who haven’t heard of Royal Blood I suggest you check them out, they are a great rock band and their debut album is laced with classic rock songs. My favorite from the album is “Ten Tonne Skeleton”. It’s got a great use of drums and nice vocals from Mike Kerr. With lyrics like “Cut loose like an animal/ Fired out like a cannon ball/But I waited too long/ Got high from a holy vein/ Crashed down in a hurricane/Love has been here and gone” the song really packs a punch. I’ve been playing this song all week, it’s a great tune that really gets you pumped up, if you like rock music that is. If you haven’t heard of Royal Blood I suggest you check them out and take a listen to “Ten Tonne Skeleton”.

WE NEED TO TALK ABOUT KESHA

Perhaps one of the most underrated and yet one of the most successful pop stars of the industry is Kesha. Many people have come to the conclusion that Kesha is merely a sleazy, untalented, auto-tuned mess. But that is far from the truth. Kesha is one of the only pop stars who can say that their first single is one of the best selling singles of all time. She is also one of the only stars who can say she had 8 consecutive top 10 hits and have all of her singles be certified gold or platinum. Not to mention writing a book, having her own TV show and being a judge on a singing competition. Having the same amount of top 10 singles as “pop princess” Britney Spears, Kesha has made a name for herself. But did she do it on her own terms? All press coverage on Kesha since the beginning of 2014 has been her rehab stint for an eating disorder and her subsequent lawsuit against long time producer Dr. Luke. There seems to be a lot of debate as the whether her claims of sexual abuse and rape are true or not. I personally have tried to not form an opinion either way. Yes some of the claims seem a little far-fetched and there’s a lot of back and forth happening between her and Dr. Luke, but when someone pursues legal action against another person for rape, that’s nothing to take lightly. Many claim that this is a mere attempt on Kesha’s part to get out of her contract with RCA and Kemosabe Records. And while this could be the case, why should she not have the right to get out of it. It’s clear based on the filing against him that Kesha has no desire to work with Dr. Luke. Why then should she still have to follow through on a contract with him. A man who gave her little creative control over any music she produced and the man whom she claims is partly responsible for her eating disorder. Their whole court battle is a lot of he-said she-said but honestly I feel bad for Kesha. She is one of the very few pop stars I enjoy and one of my favorite singers. I think she is one of the most misunderstood and talented people in the industry, not to mention her support of animals, the LGBT community and her promotion of love. All she ever expresses is how much she wants to make music for her fans, and yet due to her contract with Luke, is unable to do that. I think this shows just how much she wants out. If Kesha wanted to continue to make generic pop songs about partying, she would have no problem staying with Luke’s label and releasing albums. BUT that isn’t her desire. However until all the legal stuff is cleared up and the contract dealt with, she’s at a standstill and can’t go on making music, the music she wants to make. No matter what opinion people have on her claims against Luke, no one can deny she desperately wants out of any dealings with the man. And if that’s true who’s to say her claims aren’t? Hopefully the legal issues can be solved soon and Kesha can go about making the music she wants to make and show the side of her that perhaps she never really was allowed to show during her time with Dr. Luke.

SONG REVIEW(S)- DEMI LOVATO, CONFIDENT & SELENA GOMEZ, SAME OLD LOVE

   
  I decided to group these two songs together since they were released within a week of each other and both come from former Disney stars. Now previous I preferred Selena Gomez’s “Good For You” over Demi’s “Cool For The Summer”. But as both songs became more popular and hearing them more, Demi’s grew on me while Selena’s became annoying. Now they are being compared again. In my personal opinion, Demi’s new single is much better than Selena’s. First off, Selena’s single doesn’t even sound like her voice and Charli XCX is a littler too strong in her background vocals. Not to mention Selena didn’t contribute to the writing of the song. There’s no strong vocal delivering or big drop in the beat- just a pretty monotone voice and same beat over and over. Now Demi on the other hand delivers great vocals and sassiness which fits the bill for her whole confident concept. It’s interesting to compare former Disney stars and their songs, and while I’ve never really liked pop music, I’ve always preferred Demi. Comparing this two tracks I now have more confidence(no pun intended) for Demi’s album than I do for Selena’s. It’ll be interesting to see what more the albums deliver. 

SONG OF THE WEEK- THE NEIGHBOURHOOD, R.I.P. 2 MY YOUTH

The Neighbourhood announced they’re dropping their second studio album Wiped Out in October and I couldn’t be more excited. I’ve loved this band before “Sweater Weather” was a hit and their first album didn’t disappoint. Not to mention their other EPs available on iTunes with great songs like “A Little Death” and “West Coast”. Just like usual with iTunes when you pre-order the album you get a song instantly, which in this case is “R.I.P. 2 My Youth” a song that is both amazing and somewhat sad. The beat is kind of the usual alternative tone The NBHD is known for, not to say it sounds exact to any of the bands other great songs, but the lyrical content has a maturity to it I feel their first album lacked. Granted their first album had some pretty deep lyrics to it but a lot of it got a little repetitive after a while. That is not the case with “R.I.P. 2 My Youth”. The band crafts some pretty creative lyrics here with lines like “Might go to hell and there ain’t no stopping/ might be a sinner and I might be a saint/ I’d like to be proud but somehow I’m ashamed/ Sweet little baby in a world full a pain”. To me that showcases a much more mature lyrical approach than really any of their previous songs. Aside from just the lyrics the song is all around a great listen and I am really happy that The NBHD seems to be sticking to its roots and not changing its sound on its new album. “R.I.P. 2 My Youth” is currently one of my favorite songs and I look forward to see what Wiped Out has to offer when it drops in October.

ALBUM REVIEW- MELANIE MARTINEZ, CRY BABY

Let me start out by saying this album is pure perfection. That is extremely rare for a whole entire album but I cannot find a single song I don’t like on this album. Melanie is a beautiful, troubled artist and she has created one of the greatest concept albums I’ve ever heard. Taking childish themes and song titles and crafting them into dark tales of love, abuse, alcoholism and even murderous teddy bears, Martinez gives listeners an excellent story of the character Cry Baby. If you bought a hard copy of the album you’ll know that it has a companion booklet, designed like a children’s book, with each page relating to each track respectively and telling the heartbreaking story of Cry Baby. The tunes and vocals of the album wouldn’t give off the idea of a dark and disturbing album but when you look at the lyrical content there’s no question of how messed up it is. But when I say messed up I mean it in the best way possible. For someone so young I am amazed at how artistic and talented Melanie Martinez is. I didn’t know of her being on The Voice and first got attracted to her music when her song “Carousel” was featured in American Horror Story: Freak Show. From there I bought her Dollhouse EP and then happily anticipated her debut album. Melanie is an amazing artist, not only vocally but creatively and Cry Baby showcases all of that. The album may be dark but no one can deny how brilliant it is. For those who haven’t listened to the album or heard of Melanie I suggest you check it out. She won’t disappoint.

TOP SONGS: Mad Hatter, Soap, Mrs. Potato Head, Milk & Cookies, Tag You’re It, Cake, Cry Baby